“I sat out by the pool on one of the sun chairs with my guitar,” Paul relates, “and started strumming in E, and soon had a few chords, and I think by the time he’d woken up, I had pretty much written the song, so we took it indoors and finished it up…John might have helped with a few last words…But it’s very me, it’s one of my favorite songs that I’ve written…So I would credit me pretty much 80-20 on that one.” In his book “ Many Years From Now,” Paul explains how he showed up at Lennon’s Kenwood home to write songs one day in June of 1966 and, while John was still in bed, asked someone there for a cup of tea and went with his guitar to sit alongside John’s swimming pool. “I wrote that by John’s pool one day,” Paul remembered in 1984. “Here, There And Everywhere” was one of these. "In fact, if pushed, I would say that 'Here, There And Everywhere' is my own favorite of all my songs.So now, when I sing it, I look back at it and think, 'The boy's not bad!" Interestingly, after Michael Jackson bought the rights to the “Lennon / McCartney” catalog in August of 1985, Paul expressed the wish (during an interview) that he could at least own a couple that he was particularly fond of. But I like this one," he once stated about this " Revolver" ballad. "People say, 'Which is your favorite tune?' and I'm often tempted to say ' Yesterday,' because it arrived so magically. However, Paul expressed how strongly he felt about "Here, There And Everywhere" in many interviews throughout the years. “Here, There And Everywhere,” on the other hand, was the least popular of the three, not hitting the singles charts by The Beatles or any other artists and also being overshadowed on the “ Revolver” album by other startling contributions such as “ Yellow Submarine” and “ Eleanor Rigby.” Paul’s previous two efforts, “ Yesterday” and “ Michelle,” made a huge splash on the airwaves and with record sales worldwide, the former released as an American Beatles single reaching the top spot for four weeks, and the latter becoming the featured track on their multi-million selling album “ Rubber Soul,” not to mention garnering successful cover versions on both sides of the Atlantic. But of course, when I think or some of my own songs – ‘ In My Life,’ or some of the early stuff, ‘ This Boy’ – I was writing melody with the best of them.” “There was a period when I thought I didn’t write melodies,” he stated in 1980, “that Paul wrote those and I just wrote straight, shouting rock’n’roll. John Lennon even bought into this premise for awhile. For the third album in a row, Paul McCartney continued his habit of writing a tender love ballad, forever cementing in people’s minds that he was the balladeer of the group.
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